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Experiencing Stanislavsky Today: Training and Rehearsal for the Psychophysical Actor, by Stephanie Daventry French, Philip G. Bennett
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This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored.
- Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting.
- A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance.
- The book’s companion website is full of downloadable worksheets and resources for teachers and students.
Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.
- Sales Rank: #1340586 in Books
- Published on: 2015-12-24
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.20" w x 7.50" l, .0 pounds
- Binding: Paperback
- 632 pages
Review
"This is an incredible book. A wonderful comprehensive examination of the subject and powerful exercises to work the acting theory."
- Robert Yowell, Northern Arizona University, USA
"The book offers an extensive collection of Stanislavskian techniques, extending them in a way that is accessible to the classroom. It makes convincingly the case that Stanislavskian techniques still have relevance to the training of contemporary actors."
"A wonderful compilation of historical perspective and creative explorations. Expertly defines and explains Stanislavsky's approach and impact on actor training."
- Shawn J. Clerkin, Gannon University, USA
"Fantastic discussion of body, voice, mind, and spirit as they pertain to acting technique."
"Provides a deep and respectful understanding of the basic principles and working methods of Stanislavsky."
- Kirsten Due Kjeldsen, VIA University College, Denmark
About the Author
Stephanie Daventry French has directed over 40 productions using Stanislavsky's Active Analysis. She teaches the Stanislavsky System integrated with many other techniques as head of the Acting for Theatre, Television and Film track at East Stroudsburg University.
Philip G. Bennett has been an actor, teacher and director of the Stanislavsky System since 1969 - Artistic Director of the San Francisco Theatre Academy 1976-1984, the Bennett TheatreLab & Conservatory 1984-present, and Assistant Artistic Director to Russian emegr̩ teacher, Sonia Moore, American Stanislavski Theatre, 1969 Р1975.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent Acting Study Resource
By DJH
Excellent synthesis.
0 of 0 people found the following review helpful.
Perfect training for any level of student seeking to expand ...
By Amazon Customer
Hey, Amazon why is only one name of the two authors listed?
The book on the other hand is phenomenal. Perfect training for any level of student seeking to expand their craft
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