Senin, 31 Desember 2012

[X414.Ebook] Fee Download The Pen and the Sword: Conversations with Edward Said, by David Barsamian, Edward W. Said

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The Pen and the Sword: Conversations with Edward Said, by David Barsamian, Edward W. Said

"Said is forthright, even blunt, and he demonstrates a thrilling capacity for integrating culture and politics."—Publishers Weekly

Gathered here are five wide-ranging interviews with the internationally renowned Palestinian scholar and critic Edward Said (1935-2003). In conversation with David Barsamian, director of Alternative Radio, these interviews cover a broad range of topics: the Israeli-Palestinian conflict; Professor Said's groundbreaking work of literary scholarship, Orientalism; music; and much more. With an introduction by Eqbal Ahmad, and a new preface from Nubar Hovsepian, this is an indispensable introduction to one of the twentieth century's foremost critical intellectuals.

  • Sales Rank: #1946042 in Books
  • Brand: Brand: Haymarket Books
  • Published on: 2010-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .40" w x 5.50" l, .35 pounds
  • Binding: Paperback
  • 180 pages
Features
  • Used Book in Good Condition

About the Author
David Barsamian is the director of Alternative Radio in Boulder, Colorado. He is the author of numerous books, including Targeting Iran and What We Say Goes (with Noam Chomsky).

Most helpful customer reviews

5 of 5 people found the following review helpful.
Insightful and invaluable reading
By Midwest Book Review
The Pen and the Sword: Conversations with Edward Said collects five interviews with Palestinian author and critic Edward Said (1935-2003), conducted by David Barsamian, director of Alternative Radio. Ranging in subject from Said's literary scholarship, to "Orientalism", to music and popular culture, to the crimes of the Israeli occupation and the troubling direction in which PLO leadership took the Palestinian liberation movement during 1987-94 (as well as the pivotal need for greater understanding of the conflict today), The Pen and the Sword is insightful and invaluable reading. Highly recommended, especially for international literary scholarship collections and anyone searching for testimonies about the big picture of the Palestinian-Israeli conflict.

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Jumat, 28 Desember 2012

[R182.Ebook] Get Free Ebook Waiting for Lefty., by Clifford Odets

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Waiting for Lefty., by Clifford Odets

One of the most celebrated and significant plays of the modern American theatre, WAITING FOR LEFTY by Clifford Odets is set in the Depression era and deals with the exploitation of the working classes. First presented by the famous Group Theatre, the play has become a symbol of its times and a beacon for many soon-to-be famous playwrights. The action of the play is comprised of a series of varied, imaginatively conceived episodes - five in all - which blend into a powerful and stirring mosaic. The cast , which can be modified, calls for thirteen men and two women. Just a flexible, unit set is required. The "Acting Edition," published in soft cover by Dramatists Play Service, has a list of characters preceding the text and a complete prop list following the play. The text includes explicit stage directions.

  • Sales Rank: #84644 in Books
  • Brand: Brand: Dramatists
  • Published on: 1998-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 5.50" w x .25" l, .10 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
I love this play!
By Alexis
This play is so relevant to today's political climate, it is scary. But a good, important read nonetheless and very interesting if you know the history of the play.

0 of 0 people found the following review helpful.
Five Stars
By Sally
Was in perfect condition and this particular printing of this play is incredibly portable.

1 of 2 people found the following review helpful.
Very short read on trials of working class
By penname
It's only about 30 pages broken up into 6 episodes. It's main focus is the cab union meeting as they vote whether or not to strike. If you like literature that speaks to the low man on the totem pole of life, you might like the sentiment of the piece. All in all, I thought it was ok.

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Rabu, 26 Desember 2012

[U590.Ebook] Ebook Download Code Geass Novel: Stage -0- Entrance (Code Geass Lelouch of the Rebellion), by Goro Taniguichi, Ichiro Okouchi, Mamoru Iwasa

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The novel adaptation of the hit anime series as seen on Adult Swim! In the year 2010, the Holy Empire of Brittania declared war on Japan. Powerless to stop them, Japan surrendered in less than a month. Freedom was lost and Japan was renamed "Area 11" and its people became known as "Elevens." Lelouch is a Brittanian and his friend Suzaku, born an eleven, has achieved the status of honorary Brittanian. As a boy Lelouch vowed to crush his own government, but now seven years later and in high school, he's accepted that he can't change anything. That is until he meets a mysterious girl that gives him the power to control people's minds - the power of Geass! He dons a mask and becomes the ruthless terrorist known only as Zero, destroying any who might stand in his path - including his boyhood friend Suzaku!

  • Sales Rank: #1007095 in Books
  • Brand: Brand: Bandai Entertainment
  • Published on: 2008-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.25" h x .50" w x 5.00" l, .35 pounds
  • Binding: Paperback
  • 200 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
The necessary background information
By Michael M.
Personally, I read this novel after watching the anime and reading the Bandai published manga. I feel it could be fine to do so in any order, but slightly lean towards my own route because it explains so many intricate details of Lelouch and Suzaku's past- and why their friendship was able to sustain through the entire series.

The main topic which I found interesting was the reason behind the Japanese/ Brittanian war, which in the anime was stated to be sparked over sakuradite mines. The novel goes in depth to explain why the prime minister Genbu Kururugi was so adamant about the war, and why Suzaku chose to intervene.

This novel is essential to any fan of the series, and will quench the thirst of those who inquire about the origins of the war set seven years before the actual story of Code Geass.

0 of 0 people found the following review helpful.
Five Stars
By Neal Caffrey
i loved reading it, it is still pretty hard to see it end

10 of 10 people found the following review helpful.
How Lelouch and Suzaku Became Friends
By Planethopper
This book details the "prequel" type history of Lelouch and Suzaku's relationship seven or eight years before the anime series begins.

It delves into some interesting material that we never see in the anime, i.e., Tohdoh's importance in Suzaku's early life, and the slow building of the friendship between Lelouch and Suzaku. I was moved by Suzaku's loneliness and isolation (Lelouch and Nunnally are his only friends growing up). Most significantly, we find out the real reason why Suzaku committed a certain heinous act... which was very enlightening.

I actually found the writing to be of high quality, and more literary in nature than most "novelization" type books that are based on film or TV media.

If you're a Code Geass fan, this novel will give you more background information on the story, on Lelouch, and especially on Suzaku.

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[Q794.Ebook] Ebook Download HOW TO START YOUR OWN MUSIC PUBLISHING COMPANY, by Dennis Sinnott

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HOW  TO START YOUR OWN MUSIC PUBLISHING COMPANY, by Dennis Sinnott

If you've ever toyed with the idea of getting into music publishing - now you can - and for practically nothing. The reason? The rapid advance of digital has practically zeroed out overheads. This book shows you in simple steps how to do it. Here's your chance to get into the music lucrative field in the music industry! Get your copy today!

  • Sales Rank: #438666 in eBooks
  • Published on: 2012-10-21
  • Released on: 2012-10-21
  • Format: Kindle eBook

Most helpful customer reviews

7 of 7 people found the following review helpful.
I WANT MY MONEY BACK!!!!
By Jasper
This book very much does not tell you how to start your own publishing company. The title is very misleading. This is a scam and I want my money back.

The book contains absolutely no useful information. The author's business advice is as basic and as worthless as "pick a business name", and "set up an online domain."

Wasting a very large part of the book talking about record label contracts (which has nothing to do with the promise made by the books title) and royalties, the book says nothing at all about how to solicit the music you own, and generate the actual "business" required to validate your business. NBC, Coke, McDonalds, etc. need songs for commercials. Daily these "want ads" go out and Publishing/Licensing companies receive them. To REALLY be able to start a publishing company, you will need access to these "want ads". This book makes no mention of them. It actually makes no reference at all as to what you are supposed to do with the songs once you aquire them. The only scenario discussed in this book is based on the idea that you will get a big name artist to perform the songs. How exactly do you do that? The book doesn't tell you. Ninety percent of the publishing business involves TV, Film, Video Games, etc, and none of this is mentioned in this book.

My favorite waste of time was Chapter 3 "Securing membership of performing and mechanical societies." What the title of this chapter means is simply, you should join ASCAP, or BMI, or SESAC, or any of the others. The author takes an entire chapter to say nothing more than, pick one and fill out their application.

This book did not tell me anything I did not already know. If an individual does not know the simple steps outlined in this book, then the more complicated steps not mentioned therein will prevent that individual from successfully starting a publishing company. A more accurate and honest title of the book would have been "a beginner's introduction to the world of music publishing." Also, this book should not have included the misleading and false tag line "everything you need to know to succeed in the world of music publishing."

Do not buy this book. Not sure if I mentioned this already, but I WANT MY MONEY BACK!!!!

0 of 0 people found the following review helpful.
Encouraging and exciting read
By Melissa Slawsky
Dennis Sinnot definitely knows his way around the music industry. This book was not only incredibly helpful, but full of optimism and encouragement. (Like a mentor within the book.)

1 of 2 people found the following review helpful.
Excellent Information
By Lisa Now
I'm in the process of starting my own music publishing company and I found the material in this book very current and relevant. I've read many books on music publishing and I'd recommend this to anyone starting their own business in music publishing. It's an easy read and not full or complex legal jargon that a lot of other music publishing books are. It has easy to follow action steps to take when starting up.

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Selasa, 25 Desember 2012

[R234.Ebook] PDF Download 2006 International Building Code Structural/Seismic Design Manual, Volume 2: Building Design Examples for Light-frame, Tilt-up and Masonry

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EXCERPT FROM THE PREFACE "This is the second volume in the three-volume 2006 IBC SEAOC Structural/Seismic Design Manual. It has been developed and funded by the Structural Engineers Association of California (SEAOC). Its purpose is to provide guidance on the interpretation and use of the seismic requirements in the 2006 International Building Code (IBC), published by the International Code Council, Inc., and SEAOC's 2005 Recommended Lateral Force Requirements and Commentary (also called the Blue Book)."

  • Sales Rank: #1816657 in Books
  • Published on: 1803
  • Binding: Paperback
  • 355 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Valuable Resource
By Robert A. Avila
I bought this book as I prepared for the PE exam. I used it to prepare for the California special seismic examination.

The book is five distinct parts, detailing the process for designing all the major material types with respect to seismic forces. The authors did an excellent job of detailing each step in the process- but without repeating what has been covered in a previous example process. This makes the book a little more condensed, and, imho, a better reference.

It helped me A LOT in learning the seismic design process. However, it has been even more valuable after the exam. I have used this book while designing masonry commercial buildings, and while improving my own seismic design procedures.

If you are a California engineer, this book is recommended. If you are from an area where seismic forces rarely control design, and need a great reference to get you up to speed, this is highly recommended.

If you're heading for the PE exam, I recommend: the CERM (current edition), Pass the PE like a Pro ebook, and the relevant NCEES practice exam book.

0 of 1 people found the following review helpful.
If you've done this kind of design don't bother
By AbsoluteRock
Good reference but there is no need if you've done any of this kind of design before.

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Senin, 24 Desember 2012

[Y751.Ebook] Download Machine Shop Practice, Vol. 2, by Karl Moltrecht

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Machine Shop Practice, Vol. 2, by Karl Moltrecht

Everything the apprentice or on-the-job professional needs to know about the intelligent and efficient operation of machine tools is here.

  • Includes over 760 illustrations and 70 tables in two volumes.
  • Offers sections on numerical control; grinding wheels (that includes the newest abrasive materials); single point cutting tools and tool wear; basic drilling machine setups; and formulas for estimating the power required for planing.
  • Provides detailed discussions on methods of setting up the workpiece on milling machines, horizontal boring machines, planers and shapers.

  • Sales Rank: #408009 in Books
  • Brand: Grizzly
  • Published on: 1981-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.30" w x 6.30" l, 2.09 pounds
  • Binding: Hardcover
  • 517 pages
Features
  • Used Book in Good Condition

From the Back Cover
Designed for use in the classroom or for home study, this book, with its many tables and formulas, is also useful in the workshop as a reference book for the more-advanced craftsman, technician, and manufacturing engineer.

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3 of 3 people found the following review helpful.
Best available
By Amazon Customer
Good book. I read Vol 1 and Vol 2. First volume covered lathe work. This volume covers shaping and milling. One of the few textbook level books on machine operation that is well written and doesn't get bogged down in safety discussions. Actually covers the subjects comprehensively. Good book for someone like a hobbyist that wants to learn more about the operation of manual machines.

3 of 3 people found the following review helpful.
Very good book on manual machining
By C. Toombs
I purchased this book and the volume 2 as well. These books go into detail on most of the general purpose manual machines you are likely to encounter, as well as single point tool function and give quite a number of examples. It also gives a good number of charts on cutting speeds as well as correction factors for different depths of cut and feed rates. Gives k values for calculated horsepower required for a given cut. It covers the lathe, milling machine, shaper, planer, layout, surface grinder, cylindrical grinder, tool and cutter grinder and jig borer. As this is an older book, it doesn’t' cover CNC at all and has one chapter on CNCs predecessor, NC. This gives very good coverage of manual machining; I was especially interested in the shaper and planer chapters, as information on these machines is no longer available in modern texts.

0 of 0 people found the following review helpful.
Good reference book
By MechEduke
Great book chock full of useful information. My personal belief is that manual machining is a necessity of everyone pursuing machine shop prowess. It gives a good foundation even for CNC users.

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Jumat, 14 Desember 2012

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  • Sales Rank: #4220026 in Books
  • Published on: 1656
  • Binding: Paperback

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Jumat, 07 Desember 2012

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Mark Zuckerberg's ‘A Year of Books’ Selection

George Orwell’s bleak visions of the future, one in which citizens are monitored through telescreens by an insidious Big Brother, has haunted our imagination long after the publication of 1984. Orwell’s dystopian image of the telescreen as a repressive instrument of state power has profoundly affected our view of technology, posing a stark confrontational question: Who will be master, human or machine? Experience has shown, however, that Orwell’s vision of the future was profoundly and significantly wrong: The conjunction of the new communications technologies has not produced a master-slave relation between person and computer, but rather exciting possibilities for partnership.

In an extraordinary demonstration of the emerging supermedium's potential to engender new forms of creativity, Huber’s book boldly reimagines 1984 from the computer's point of view. After first scanning all of Orwell’s writings into his personal computer, Huber used the machine to rewrite the book completely, for the most part using Orwell’s own language. Alternating fiction and non-fiction chapters, Huber advances Orwell’s plot to a surprising new conclusion while seamlessly interpolating his own explanations and arguments. The result is a fascinating utopian work which envisions a world at our fingertips of ever-increasing information, equal opportunity, and freedom of choice.

  • Sales Rank: #631053 in Books
  • Published on: 2015-06-30
  • Released on: 2015-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 384 pages

From Publishers Weekly
In George Orwell's dystopian novel 1984, the telescreen-which spies on its captive audience members and fills their minds with propaganda-is the instrument that makes possible the totalitarian state's absolute control. Huber (Galileo's Revenge) believes Orwell was fundamentally wrong in assuming that electronic media would facilitate mind control. On the contrary, he argues, today's telecommunications world-spanning cable television, personal computer networks, cellular phones and so forth-offers a multiplicity of choices in information and fosters the exchange of ideas. In alternating chapters, Huber splices a belabored critique of Orwell's prophecies with an experimental fiction, closely based on 1984, but with Eric Blair (i.e., Orwell under his real name) as the protagonist. The fictional chapters interpolate real-life figures such as spy Guy Burgess, Orwell's colleague at the BBC, and Vaughan Wilkes, Orwell's sadistic schoolmaster. Concluding with a handy capsule history of telecommunications, Huber provocatively predicts the convergence of computing, television and the telephone in a myriad of mixed-media networks.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
In his preface, Huber discusses the grim and compelling vision of Orwell's 1984. However, as Huber (Galileo's Revenge, LJ 8/91) points out, and as is evident by the passage of time, Orwell's vision of the future and of the uses of technology was fundamentally wrong. To explore the central themes of Orwell's work, as well as his essays and letters, Huber rewrites 1984; each chapter of this novel-within-a-book is followed by commentary on the major themes in 1984. Entitled "1994 and After," the work features the main character, Blair, who is modeled on Orwell (whose given name was Eric Blair). Blair's story roughly parallels Winston Smith's experiences in 1984. In the final section, Huber recapitulates the developments of the telecommunications and computer industries to demonstrate more precisely why Orwell's predictions were so off the mark. Recommended as a companion to the study of 1984.
Cheryl L. Conway, Univ. of Arkansas Lib., Fayetteville
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
A curious, contentious, but always interesting sequel cum polemic that conjures up the ghost in Orwell's machine. Huber (Galileo's Revenge, 1991), a senior fellow at the Hudson Institute for Policy Research, has two abiding convictions: that 1984 remains ``the most important book published since the war'' for its prescient recognition that the information and technology culture would pose the late 20th century's determining challenges for human culture; and that Orwell was nevertheless ``completely, irredeemably, outrageously wrong'' about the implications of the technology he so perspicaciously portrayed. Writing from a postCold War, postinformation superhighway perspective, Huber argues that the convergence of information and communication technologies Orwell foresaw in his ``telescreen,'' far from condemning society to the grim panoptic coercion of the Party, are by their nature driven toward the creation of markets in information and services that will inevitably elude the grasp of centralizing authority and ultimately topple it (adducing as evidence the Internet and the role of information technology in the collapse of the Soviet empire). He makes this case in a singular fashion, alternating passages of conventional literary and political critique with his own sequel cum rewrite of 1984--a patented computer-aided ``palimpsest'' assembled largely in Orwell's own words from shreds and patches of both the original novel and his other writings--in which the fearsome interrogator O'Brien, the Party, and the vast totalitarian superstates all perish not by self-conscious political activism or revolt, but simply through the innate logic of the technology they wrongly believed they could control. Many readers may question Huber's libertarian faith in market forces and in the inevitable Big Brotherdom of all social planning or collective endeavor; and matters aren't helped by a style whose affectations, when not simply reformatting Orwell, can border on the precious. But overstated and overlong as it may be, Huber's undertaking remains ambitious, strikingly original, and thoroughly provocative. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

13 of 16 people found the following review helpful.
An excellent sequel to Orwell's "1984"
By A Customer
I have been fond of the negative utopias for some years -
Orwell's "1984" being my favourite. You might imagine the
excitement I felt upon seeing a sequel!

At first read of Huber's sequel I was, however, outraged! What
gaul to plagerize Orwell as this book does ... until,
as I read on, I was dumbfounded to realize that this is
*exactly* what Orwell *would* have appreciated - the
symetry, the self-reference, the genius of Huber to become
his own Winston Smith and rewrite the story is perfect.
Huber does, indeed, add his own original touches: by
incorporating Orwell's other writings into the work,
thus giving us insight into Orwell's evolution and psychology,
and more cogently,by updating The Party and
Oceania into today's world of political correctness,
multiculturalism, the green movement and other frightening
signs that Big Brother is alive and well.

Huber, however, holds out the hope that the "telescreen"
(i.e. the Internet) will be the very tool that undoes the
power of Big Brother/Big Government/Intellectual Enslavement
that masquerade as today's fashionable causes (
political correctness, eco-green-fascism, and
multiculturalism) by providing true freedom of thought,
expression and commerce - all anathema to centralized
control.

David Findley, Jan. 1997

6 of 7 people found the following review helpful.
No ad hominems here
By planosue
I would suggest first off, reading or re-reading Orwell's masterpiece before embarking on this book. I regret that I didn't have that insight earlier. I struggled for about the first half of Revenge to maintain interest. Then, somewhere about mid point the writing seemed to get a spark...don't know if that is attributable to the author getting a second wind ..or to me getting a first wind. In any event I finished the book with a much higher opinion of it than I started. Huber does a brilliant job of appreciating Orwell's original message ...while disputing much of it. His arguments are offered up with style and grace rather than an attempt to skewer Orwell. No ad hominems here. Such a refreshing approach in today's world of rampant hatefulness among those who disagree.

7 of 10 people found the following review helpful.
It offered me some useful and interesting perspectives that have clarified and added to ...
By Robert
I read this book in 2002. I have always been a fan of Orwell’s and Huber’s title alone was enough to pique my curiosity. It offered me some useful and interesting perspectives that have clarified and added to my own knowledge and thinking. Recently, in an internet forum, I read some comments by two people who related stories of individuals who had come from Eastern Europe and who had tried to obtain and read Orwell’s works, like “Animal Farm” and “1984”, often at great risk. The commenters were remarking on the poignancy of these stories, and how interesting it was that the internet and free flow of information had overturned the dictatorships that had oppressed people for so many years, and which had attempted to stifle the natural human curiosity and thinking. Reading their exchange of commentary, I remembered “Orwell’s Revenge” on my shelves and the irony represented by Orwell’s works that it had revealed to me. I can’t recommend this book anymore highly.

Orwell was a genius who understood quite a lot about society and the human condition, but his fundamental philosophy was pessimistic. He was fundamentally afraid that "the boot stamping on a human face forever" was the scenario that was ultimately destined to win the contest of history. The exponents of the totalitarian dictatorships were likewise afraid that his words would awaken resistance and overturn their plans, and they suppressed his works, often brutally. Huber’s book points out that the bloody, dehumanizing, twentieth century dictatorships were not ultimately brought down by Orwell, but by something that Orwell himself had failed to understand. Essentially, it boils down to this: what oppressors and those who fear them both often do not understand is that freedom is not something that human beings deserve to have or not, rather, human beings ARE free, by nature. Liberty is ultimately not something that is granted or withheld; it is an essential characteristic of human existence that is either acknowledged or denied by our philosophies and social structures, and in the case where it is denied, the more energy that a society invests in the denial of human freedom the more likely it is that our inherent liberty will ultimately cause the failure and collapse of the structures supporting those societies. Contrary to Orwell, the telescreen was not the weapon of Lennin's and Stalin's triumph; it was their nemesis. Through an inventive deconstruction and reassembly of Orwell’s works, Huber tells an engaging story in George Orwell’s own words and writings that reframes the 1984 novel in a newer perspective. Huber engagingly informs us of how George Orwell and his contemporaries came to have the blind spot that left them troubled about the fate of mankind when they should have been more optimistic about the progress of the human condition.

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Senin, 03 Desember 2012

[P966.Ebook] Free PDF Godzilla: History's Greatest Monster, by Duane Swierczynski

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Godzilla: History's Greatest Monster, by Duane Swierczynski

Godzilla: History's Greatest Monster, by Duane Swierczynski



Godzilla: History's Greatest Monster, by Duane Swierczynski

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Godzilla: History's Greatest Monster, by Duane Swierczynski

  • Godzilla continues to destroy cities and lives all over the world and ex-special forces tough guy Boxer is a man with a grudge who vows to end the terror of Godzilla — no matter what! He assembles a top notch team to take him and the other monsters down at $7 billion a bounty.

  • Sales Rank: #101123 in Books
  • Published on: 2014-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.20" h x .80" w x 6.60" l, 1.40 pounds
  • Binding: Paperback
  • 324 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Doesn't Fulfull Potential
By Le Night Dominator
"Godzilla: History's Greatest Monster" was originally published as "Godzilla" for 13 issues. This paperback volume contains all of them, and in full color (unlike the Dark Horse and Marvel Godzilla reprints). If you're a fan of the franchise and want to get into the comics, I recommend that you start elsewhere. I'm not a frequent reader of comic books, but I'll try my best to provide an insight on why this particular series didn't exactly hit the mark.

First of all, the characters are largely uninteresting. We follow a group of bounty hunters as they attempt to take down Godzilla's massive friends and foes for billions of dollars. Illegally, I might add. This sounds like a fun idea on paper, but let's get down to the actual people themselves: The protagonist is a man named Boxer, who loses two young children to Godzilla and wants revenge and has a ex-wife as part of his team. That's it. You don't get any further development for this character's motivations or backstory. He's just there to give the readers a human character to follow while remaining close to the monster action. His ex is simply a tough female character and there's also an explosives expert who has a somewhat interesting backstory and demise, but lacks an real personality. For the most part, the story is narrated by a mute character that's also part of the bounty hunting team. Again, this idea had a lot of potential for a cool narrative device, but the comic fails to do anything clever or engaging with it.

I also find the art style unappealing. I know it's supposed to be some sort of style, with the somewhat cartoony character designs, jagged corners, and minimalistic details, but I don't think it works for a Godzilla comic. In my opinion, a Godzilla comic should have art that truly conveys the sense of scale and weight to the monsters. It doesn't even compliment the tone of the story. At times, I can't tell if it wants to be an adult take on Godzilla or a simple cartoon. There's use of occasional swearing censored by the typical "#$%*!" and there are moments of minor bloodshed, including a panel where a man violently pulls out his own tooth. On the other hand, when you see the goofy eyes of Anguirus or Hedorah, it reminds you that you're still in the middle of a Godzilla story and it takes you out of the gritty and serious world that it takes place in.

Does this book have any positives? A few, actually. The story actually gets pretty good once the alien monsters land on Earth and lay havoc on major cities. At this point in the comic, it doesn't try to shove failed character development down the readers' throats. It's just simple, exhilarating, apocalyptic Godzilla fun with the monsters taking the front stage. The monster selection is also pretty decent. In addition to Godzilla; Rodan, Mothra, Kumonga, Titanosaurus, Anguirus, Battar, Kiryu, Gigan, Spacegodzilla, Hedorah, and (in my opinion, the underrated) Monster X get a lot of love here. No monster is wasted on a glorified cameo or anything. Textless versions of the original comic book covers are also included, some of which are downright phenomenal.

Overall, this comic book leaves a lot to be desired. If you ask me, the main flaw with this comic is that it overshoots the mark by focusing human characters in a realistic world. This sounds like a good idea, but a lack of character development and a confused tone keep it from being a decent Godzilla story. If you're looking for better Godzilla comics from IDW, look no further than the mini-series (Half Century War being the best) and the currently ongoing Godzilla: Rulers of Earth series.

5 of 7 people found the following review helpful.
Pretty good
By Tsyroc
Be aware that this was previously released in TPB as 3 volumes.

Godzilla Volume 1 (Swierczynski)

Godzilla Volume 2

Godzilla Volume 3

Lots of destruction, a fair amount of monsters, and a crazy special forces guy on a vendetta to kill Godzilla whatever means necessary. What's not to like?

0 of 0 people found the following review helpful.
For a Godzilla fan, there's a lot to like
By Kyle Warner
'Godzilla: History’s Greatest Monster' is basically 'Jason Statham vs. Godzilla' and it’s just as silly and as cool as it sounds.

Okay, so it’s not really Jason Statham, but it might as well be. Boxer/Statham is an ex-special forces tough guy with a grudge against Godzilla. Along with his team of ultimate badasses (which are a more unique bunch than you’d expect), Boxer travels the globe taking down kaiju for cash, but Godzilla is the one beast he just cannot defeat. When malevolent alien kaiju invade the earth, Boxer realizes that maybe he’s been fighting on the wrong side all along.

'History’s Greatest Monster' is a collection of IDW’s ongoing Godzilla line (when it was originally published issue by issue, I believe the title was simply 'Godzilla'). 'History’s Greatest Monster' follows the first chapter of the ongoing series 'Kingdom of Monsters' (though I don’t think you need to read that one to follow this) and precedes the (final?) part of the ongoing Godzilla series, 'Rulers of Earth.' All the chapters of the ongoing series have their own specific tone thanks to different writers and authors. I never liked 'Kingdom of Monsters'. 'History’s Greatest Monster' is a big step up, giving us strong central characters, lots of action, and a big storyline that flows really well from issue to issue.

The art by Simon Gane is interesting. I don’t think I’ve ever read a comic with art that I could compare to Gane’s. I wasn’t immediately a fan, but I grew to like the art very much. There’s one issue in the collection where we get art from Dave Wachter instead. You could say that Wachter’s art is ‘cleaner’ but by having that one issue with a different style it kind of messes with the visual look of the collection. All in all, though, the comic’s visual presentation is really interesting.

I had a lot of fun with this one. Actually I think it ranks much better than its reputation suggests. 'History’s Greatest Monster' succeeds because it manages to feel like a epic Godzilla film in comic book form. For a fan, there’s a lot to like.

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